3.75 × 5”
Acrylic ink, relief-printed on paper (250 gsm)
Hand-torn edges
Frame not included
Chicano history and printmaking are closely tied, as activists often used the medium as a creative and cost-effective way to protest social injustice in the Civil-Rights Era.
Additionally, its wording, Soy Poderosa, emphasizes the capability and strength of women—as the activist or the one who is patiently enduring the test of oppression.
This print pays homage to Mexican-American roots and Chicano activism. Like the majority of the artist’s pieces, it is a reminder that Islam does not erase culture, and the following misconceptions are addressed:
🤎 Standing up against oppression and injustice is inherent to Islam
🤎 Men and women are equal in Islam
Surely the most noble of you in the sight of God is the most righteous among you. God is truly All-Knowing, All-Aware. [The Holy Qur’an, 49:13]
🤎 Through Islam, we understand and embrace the beauty in our culture in ways that are most pleasing to our Creator
3.75 × 5”
Acrylic ink, relief-printed on paper (250 gsm)
Hand-torn edges
Frame not included
Chicano history and printmaking are closely tied, as activists often used the medium as a creative and cost-effective way to protest social injustice in the Civil-Rights Era.
Additionally, its wording, Soy Poderosa, emphasizes the capability and strength of women—as the activist or the one who is patiently enduring the test of oppression.
This print pays homage to Mexican-American roots and Chicano activism. Like the majority of the artist’s pieces, it is a reminder that Islam does not erase culture, and the following misconceptions are addressed:
🤎 Standing up against oppression and injustice is inherent to Islam
🤎 Men and women are equal in Islam
Surely the most noble of you in the sight of God is the most righteous among you. God is truly All-Knowing, All-Aware. [The Holy Qur’an, 49:13]
🤎 Through Islam, we understand and embrace the beauty in our culture in ways that are most pleasing to our Creator
